The Boat Rocker

A Novel

AutorIn: Ha Jin

Verlag: Penguin Random House; Vintage

Erscheinungsjahr: 2017

Zusatzinformationen: 240 Seiten; 203 mm x 153 mm

Sprache: English

ISBN: 978-0-8041-7037-6

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A delicious satire. . . . One of the most unsettling books about the moral dimensions of modern journalism. The Washington Post

Both entertaining and thought-provoking. . . . A powerful vehicle for the truths of our times. The Boston Globe

It feels like a miracle and a splendid irony that an immigrant writer can fashion a novel with such quintessentially American themes from the front lines of the Chinese diaspora. The Seattle Times
 
Savage satire. . . . [Ha Jin] is a writer of simple yet powerful gifts. The New York Times Book Review

Arguably Ha Jin s most political and funny novel yet. New York

Convincing as well as timely. . . . [Has] a powerful moral core. The Christian Science Monitor

The narrative framework is fertile ground for Jin s brilliant and nuanced political and social observations. The Seattle Times

Jin s criticism of modern-day Communist China is stunning, easily the best part of an already well-crafted novel. I was reminded of 1984 and the passages Winston and Julia read aloud from The Theory and Practice of Oligarchical Collectivism. Nandini Balial, Los Angeles Review of Books

Ha Jin only gets better and better. In The Boat Rocker he continues with his supply of unadorned prose, as evocative as Chekhov s. . . . But he also draws us, so gently that we hardly notice, into some very deep questions, first about Chinese-American identity, then about identity for any person, and then about the value and the risks, for anyone, of living with integrity. Perry Link

Page-turning but profound. . . . The twists and turns of Danlin s fight with Haili make The Boat Rocker a compelling read, but Jin s insight into nationalism, patriotism and the true cost of freedom of the press gives the novel depth and brilliance. BookPage

Jin s conceit is intriguing, even ingenious, and he dazzles with every scene in which his reporter is confronted by hostile forces. . . . Bracing and absorbing, at its heart lurks a chilling message: Truth depends on how you shape and present it. The National

Laugh-out-loud funny while being as illuminating as ever. Kirkus Reviews (starred)

National Book Award-winning Ha Jin uses sly, black humor to underscore the high price of integrity, the consequences of betrayal, and the power of the written word. Library Journal (starred review)

Takes aim at exploitative novels and international relations. . . . Ha Jin s prose is always pleasurable to read. Publishers Weekly

Langtext
New York, 2005. Chinese expatriate Feng Danlin is a fiercely principled reporter at a small news agency whose website is read by Chinese all over the world. Danlin s explosive exposés have made him legendary among readers and feared by Communist officials. But his newest assignment may be his undoing: investigating his ex-wife, Yan Haili, an unscrupulous novelist who has willingly become a pawn of the Chinese government in order to realize her dreams of literary stardom.
 
Haili s scheme infuriates Danlin both morally and personally he will do whatever it takes to expose her as a fraud. But in outing Haili, he is also provoking her powerful political allies, and he will need to draw on all of his journalistic cunning to come out of this investigation with his career and his life unscathed. A brilliant, darkly funny story of corruption, integrity, and the power of the pen, The Boat Rocker is a tour de force.

ONE
 
A week before the fourth anniversary of 9/11, my boss, Kaiming, barged into my office, rattling a three-page printout in his hands. Look at this, Danlin, he said, dropping the papers on my desk. This is outrageous! How could they claim that George W. Bush had agreed to endorse a book by Yan Haili? Everyone can tell it s a lie the size of heaven.
 
I picked up the printout, an article from The Yangtze Morning Post. It raved about a landmark novel, not yet released. I had recently signed a book contract myself and was used to the hyperbole of the book business, but it was the novelist s name, Yan Haili, that took my breath away. She was my ex-wife. That brassy bitch she never stopped vying for attention.
 
The article, printed in the newspaper s literary and art supplement, gushed that her novel, Love and Death in September, was an exotic, whirlwind love story, set by turns in North America, China, Australia, England, Russia, and France. Haili had been working on a potboiler for as long as I d known her. She d called it a fabulous transnational romance. It was yet another project that she hadn t been able to finish. She had never succeeded in finding the center of the story, nor could she connect the various episodes into a plot with a satisfying ending. She had shelved the book again and again, and I d thought the project was long abandoned. But now I scanned the article in disbelief her publisher was claiming the Administrative Office of the Chinese Communist Party had been contacted by the White House, and that President Bush would endorse the English translation of Haili s novel! Why? Because the book embodied the cooperative spirit between the United States and China in the global war on terrorism. Shoot me if that was true.
 
The bitch will never change, I realized. I wouldn t let her get away with it this time. I d figure out a way to expose all her chicaneries and vanity. Even if she begged me on her knees, I wouldn t relent.
 
This is nonsense, I said to my boss. The White House must be more interested in the author than in the book I mean, in Yan Haili, to find out if she was secretly acting as a Chinese agent.
 
That s giving her too much credit, Kaiming said. She s not smart enough to conduct espionage. He knew how much I hated my ex-wife that our marriage had lasted only three years before she d found someone else, and that I couldn t wait to get even with her. He sometimes called Haili the heartless woman in front of me.
 
I said, So what do you want me to do? This is an arts and culture story I never write about this kind of thing in my column.
 
This time you will. This goes beyond books I believe it s only one piece of a larger scam.
 
I was pleased but didn t show it. I said cautiously, Won t this be a conflict of interest?
 
Conflict of interest? We re dealing with a bunch of scumbags who never do anything by the rules. You can t handle them by acting like a gentleman. I want you to throw all your fire into this case.
 
If you want me to expose this scam, you d better have some idea how it got started.
 
I met Jiao Fanping, her publisher, in Beijing last month. Only he s not a true publisher he s nothing but a profiteer. I want you to write something to expose their scheme before they embarrass lots of us Chinese here in America. We must nip this in the bud.
 
I m afraid it s already blooming into an evil flower.
 

Ha Jin left his native China in 1985 to attend Brandeis University. He is the author of seven previous novels, four story collections, three volumes of poetry, and a book of essays. He has received the National Book Award, two PEN/Faulkner Awards, the PEN/Hemingway Foundation Award, the Asian American Literary Award, and the Flannery O Connor Award for Short Fiction. In 2014 he was elected to the American Academy of Arts and Letters. Ha Jin lives in the Boston area and is director of the creative writing program at Boston University.