The Patriots

A Novel

AutorIn: Sana Krasikov

Verlag: Penguin Random House

Erscheinungsjahr: 2017

Zusatzinformationen: 576 Seiten; 209 mm x 139 mm

Sprache: English

ISBN: 978-0-385-52442-1

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The Patriots is a historical romance in the old style: multigenerational, multi-narrative, intercontinental, laden with back stories and historical research, moving between scrupulous detail and sweeping panoramas, the first-person voice and a kaleidoscopic third, melodrama and satire, Cleveland in 1933 and Moscow in 2008. It contains a wartime romance, a gulag redemption story, a kleptocratic comedy of manners, a family saga. . . . Krasikov had no way of knowing that her novel would be published just as America is witnessing the ascension of a ruler who calls for jailing his opponents, proposes to weaken the First Amendment and uncritically quotes Russian propaganda. But this turn of events gives urgency to her main theme the insidious influence of totalitarianism on the lives of those trapped under its boot. . . . [and her scenes of corruption and impossible struggle belong] to a rich tradition of Russian writing about the petty absurdities of life under totalitarian rule. Nathaniel Rich, The New York Times Book Review

Extraordinary . . . The Patriots has the weight of a classic. . . . [Sana] Krasikov s research has an exemplary thoroughness, whether describing a Stalin rally, or a Thai sex parlour, or listing the parts of a jet fighter. . . . [Krasikov] has a sardonic eye and ear, and there is occasional humor. . . . The mechanics of the plot are more or less faultless. . . . This is a book that informs as it questions. It has moral purpose. It gives us essentially the entire history of the USSR. It challenges readers to wonder what decisions they would have made in similar circumstances. And it tells us of how hope can be used against a population. Its fiction tells a true story that should be heard more often. It is also a deep meditation on the relationship between parent and child. . . . [a] great and greatly necessary novel. Commentary Magazine

Dazzling and addictive . . . an outstanding family saga. The Spectator (U.K.)

A thoroughly researched and deeply felt historical novel . . . Krasikov skillfully moves between voices and decades, never neglecting the moral difficulties of life under a totalitarian regime. There is compassion here, as well as humor, but most of all, a keen awareness of how people strive to be good in dire circumstances. The Patriots is an ambitious, unsentimental and astonishingly masterful first novel with a singular portrayal of living by conviction, no matter the cost. BookPage

The Patriots is a sustained feat of brilliance, weaving eight decades, three generations, and two continents of historical tumult and personal struggle into a remarkable tapestry. Sana Krasikov deserves comparison to the Russian masters whose novels her own so often evokes. Anthony Marra, author of The Tsar of Love and Techno and A Constellation of Vital Phenomena

I admit I had high expectations for The Patriots. Fortunately, I had only to read the prologue to suspect that the hugely gifted Sana Krasikov may have leapt over them. What followed, a sweeping, ambitious kaleidoscope of family, faith, identity, idealism, and displacement, only confirmed my early impression. I found on every page an observation so acute, a sentence of such truth and shining detail, that it demanded re-reading for the sheer pleasure of it. The Patriots has convinced me that Krasikov belongs among the totemic young writers of her era. Khaled Hosseini, author of And the Mountains Echoed and The Kite Runner

The Patriots is a masterwork, a Dr. Zhivago for our times. It is a novel rooted in characters so real you weep over their tragic fates, so realized you think you re watching a movie, with sentences so sharp and wise they stop you in your tracks. The story of dreamy Florence Fein, from Flatbush, Brooklyn, will break your heart. Yann Martel, author of The High Mountains of Portugal and Life of Pi

Kurztext / Annotation
Florence Fein grows up in Brooklyn in the 1930s. In the midst of the Depression, she takes a job in Moscow. Soon after, Florence is sent to a work camp and her son to an orphanage. The novel alternates between her story, the story of her son, Julian, and the story of Julian's son, Lenny. A debut novel that examines the effects of the Cold War on three generations of one Jewish American family.

Langtext
A sweeping multigenerational novel about idealism, betrayal, and family secrets set in the U.S. and Russia, from one of Granta s Best of Young American Novelists

When the Great Depression hits, Florence Fein leaves Brooklyn College for a job in Moscow and the promise of love and independence. But once in Russia, she quickly becomes entangled in a country she can t escape. Many years later, Florence s son, Julian, immigrates back to the United States, though his work in the oil industry takes him on frequent visits to Moscow. When he learns that Florence s KGB file has been opened, he arranges a business trip to uncover the truth about his mother, and to convince his son, Lenny trying to make his fortune in Putin s cutthroat Russia to return home. What Julian discovers is both chilling and heartbreaking: an untold story of a generation of Americans abandoned by their country, and the secret history of two rival nations colluding under the cover of enmity.

The Patriots is a riveting evocation of the Cold War years, told with brilliant insight and extraordinary skill. Alternating between Florence s and Julian s perspectives, it is at once a mother-son story and a tale of two countries bound in a dialectic dance; a love story and a spy story; both a grand, old-fashioned epic and a contemporary novel of ideas. Through the history of one family moving back and forth between continents over three generations, The Patriots is a poignant tale of the power of love, the rewards and risks of friendship, and the secrets parents and children keep from one another.

Praise for The Patriots

The Patriots is a historical romance in the old style: multigenerational, multi-narrative, intercontinental, laden with back stories and historical research, moving between scrupulous detail and sweeping panoramas, the first-person voice and a kaleidoscopic third, melodrama and satire, Cleveland in 1933 and Moscow in 2008. Nathaniel Rich, The New York Times Book Review

Dazzling and addictive . . . an outstanding family saga. The Spectator (U.K.)

Extraordinary . . . The Patriots has the weight of a classic." Commentary Magazine

I found on every page an observation so acute, a sentence of such truth and shining detail, that it demanded re-reading for the sheer pleasure of it. The Patriots has convinced me that Krasikov belongs among the totemic young writers of her era. Khaled Hosseini, author of And the Mountains Echoed and The Kite Runner

QUALITATIVE LEAPS

 

Breaking your own family s heart is the price you pay for rescuing your own. Florence had committed herself to this credo, letting it carry her through the cruelty of the past six weeks so that she was surprised, on the upper deck of the Bremen, to feel her faith recede. From under her narrow palm she gazed down at the people crowding the dock. A May sun accosted the harbor and coated everything with a blinding shine. The air smelled of coal and rotted fish. Small green waves raced from the hull back to the pier, where her parents and her little brother stood squeezed in among strangers. She would have shouted out to them but knew her voice could not carry over the screeches of gulls and the intermittent bassoon of the ship s tremendous whistle.

Only after she d bought her ticket had Florence told her parents she was leaving. Then she braced herself for the family volcano.

Cleveland was not enough! Her father s shouts had rattled their Flat- bush living room. Russia! You want to go where they re shooting people dead for eating their own grain?

She d fought back. No one who s traveled there ever reported seeing any such thing.

He turned to her mother. Never reported! They re being duped, Florie. And you re being duped.

 

Sure, and the factories are only burning straw to make smoke come out the chimneys?

You think I m such a dummy that I don t know what kind of hood- winked world my own father left. A young person such as yourself, ripe for recruitment . . .

No one has recruited me!

But his eyes were wild with lunatic distrust. Let me see your Party card!

I don t have one! she shouted, her voice caving from tears. For Pete s sake, I am not a communist!

Then why, Florie? Just tell me why. What kind of madness is this, for a girl to want to leave her family, her home, all the people who love her? To the other end of the world!

She could not tell him the truth. Could not show him the photograph of the dark-eyed man with the Apache cheeks, tucked in the back of her dresser drawer. Better they think her a communist than a nafka. I am not leaving forever, Papa! she said in a voice hoarse from shouting.

Then tell us how long?

I can t tell you. A year, maybe more.

And throw away another year of your life? I want to live my life.

Go, then! I ve had enough of you, her father said. May the day never come when you feel the pain we feel now.

Despite their threats, her parents had come to see her off. Her mother gave Florence her own fur coat to brave the snowy Russian winter. Her father bought her a traveler s trunk. They stood watching as it was tossed by a ship s attendant into the hold, where it took on the size of a matchbox beside all the other cargo enormous boxes and barrels, chrome automobiles, upright pianos. Her brother Sidney had given her his beloved BSA Taylor compass, whose cold beveled edges Florence now dug with torturous pleasure into the soft flesh of her thumb. She d discovered it in her purse only after she boarded the ship. She wanted to walk off the boat and give it back to Sidney, whose muskrat s hard hat of hair was still visible in flashes among the bodies on the dock. But it was too late; the third-class passengers were boarding, blocking the gangway with awkward bundles. Danes, Poles, Germans, stocky in their winter overcoats and rubber boots. With their American children in tow, they were returning to their homelands in search of work. Observing them trudge aboard, Florence suddenly fe



Sana Krasikov is the author of the novel The Patriots and the collection One More Year. She's been a finalist for the PEN/Hemingway Award and The New York Public Library s Young Lions Fiction Award, and won the Sami Rohr Prize for Jewish Literature. The National Book Foundation named her one of its 5 Under 35 in 2008. For The Patriots she was selected as one of 2017's Best of Young American Novelists by Granta, and won the French Prix du Premier Roman for best new novel in translation. Krasikov s fiction has appeared in The New Yorker, The Atlantic, The Virginia Quarterly and other journals. She also writes and edits for podcasts, including the narrative international show Rough Translation on public radio.